The Construction Of Women In Representations of Palestine in Ghassan Kanafani’s Umm Saad

Abstract

This essay will argue that the multiplicity of identities is the main feature in the construction of representations of women in Palestine. Moreover; this essay will explore a range of different identities and positions that Palestinian women take on. In order to demonstrate this aim, the paper will contrast and compare the representations of Palestinian women both before and after the Intifada as represented by the male writer Ghassan Kanafani and the female writer Suad Amiry. And will analyse the multiplicity of female identities in the works of Kanafani and Amiry. Two specific texts by Kanafani and Amiry were  chosen  in order to give a more profound analysis – Umm Saad  which represents a Palestinian woman before the Intifada‘ with ’a nationalism that draws as a political movement which challenges the colonial state’’ and Sharon and My Mother-in-Law: Ramallah Diaries that symbolises the Palestinian woman after the Intifada with different kind of nationalism that draws on‘’ a cultural construct which enables the colonial to posit their differences and autonomy’’. The choice of these texts is explained by the fact that they provide the most vivid representations of both the colonial and anti-colonial mentalities of Palestinian women. These texts are also chosen because they clearly reveal a distinction between ‘under occupation literature’ and ‘exile literature”.